Tag: Federico Fellini
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Roma (1972)
Fellini’s exploration of the Eternal City comes from two perspectives: the local, with the luxury of time, and the outsider, just passing through.
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The Voice of the Moon (1990)
Fellini’s final film follows a well inspector on an unusual journey, oscillating between past and present.
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Intervista (1987)
A parody and celebration of the artifice of film and the construction of memory through storytelling.
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Orchestra Rehearsal (1978)
A satire following an orchestra that gradually descends into anarchy, challenging the conductor’s role to keep his musicians in order.
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Fellini’s Casanova (1976)
The life and times of history’s infamous lover, portrayed as an aimless wanderer, devoid of meaning and connection.
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I clowns (1970)
A playful exploration of the clown’s impact in society, with dual documentary and fictional elements.
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#25: I vitelloni (Federico Fellini, 1953) & I basilischi (Lina Wertmüller, 1963)
Discussing two tales of young men, directionless and in limbo, and exploring their thematic similarities & differences.
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City of Women (1980)
Fellini’s 1980 film reflects an impotence, both figurative and literal, of man in the era of feminism.
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#13: Fellini 100
Celebrating Fellini’s filmography, career, plus rumors on what could be coming later from Criterion.